Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...
Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.
Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as Fran?ois Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma fran?ais in 1958.
Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.
Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
片名:迷糊餐廳第一季動漫
電影類別:劇情片
發(fā)行年份:1958
首映地區(qū):法國
導(dǎo)演:馬塞爾·卡爾內(nèi)
演員:帕斯卡爾·普緹,安德麗·帕里西,雅克·夏里爾,洛朗·特茲弗,讓-保羅·貝爾蒙多,達妮·薩瓦爾
更新時間:2025-10-18 07:30
常見問題:
迷糊餐廳第一季動漫劇情片電影演員有哪些
網(wǎng)友:有以下演員主演:帕斯卡爾·普緹,安德麗·帕里西,雅克·夏里爾,洛朗·特茲弗,讓-保羅·貝爾蒙多,達妮·薩瓦爾 。
迷糊餐廳第一季動漫作為法國電影史上的劇情片經(jīng)典,對后世有何深遠影響?
1958年推出的迷糊餐廳第一季動漫,以劇情片的獨特風(fēng)格驚艷了法國電影界。這部電影不僅讓帕斯卡爾·普緹,安德麗·帕里西,雅克·夏里爾,洛朗·特茲弗,讓-保羅·貝爾蒙多,達妮·薩瓦爾的演技得到全網(wǎng)認可,更重新定義了法國劇情片電影的創(chuàng)作標(biāo)準(zhǔn)。即便是多年后的今天,迷糊餐廳第一季動漫依然是法國電影領(lǐng)域難以逾越的標(biāo)桿,其蘊含的劇情片精髓至今仍在影響著新一代創(chuàng)作者??梢哉f,沒有迷糊餐廳第一季動漫,法國電影的劇情片分支或許會走上截然不同的發(fā)展道路。
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